Shaped and trained the legacy of generative somatics, I understand the body as inseparable from the larger bodies of earth and society.My practice weaves ecological sensing, radical time, and Butoh-influenced presence—slowing enough for something else to emerge.My path moved through human–horse connection, into dance, and into Shiatsu as an art of leaning into what is.With limited hearing, I perceive the field differently—attuning to the emotional and energetic textures you bring. I listen so your story can unfold beyond the mind, and the body can follow.

Rooted in ,my long-term research across desert landscapes—including Jordan,the Naqab Desert in Israel/occupied Palestine, Andalusia, Chile, and European deserts—my work engages with deep ecology and ancient futures, and the entanglement of land, body, and perception. My choreographic works are always forms of embodied inquiry, where movement becomes a method for listening to and translating more-than-human presences.

My projects move between poetic, scientific, and somatic realities, often unfolding as immersive performances, films, and installations. Across these forms, she investigates the body as vessel, transmitter, and threshold—where matter, time, and perception remain in flux.

WORKSHOPS

Contemporary Dance / In Flux A movement practice dedicated to a vibrant, ever-shifting physical language that explores the deeper emotional layers of the body. In Flux focuses on instant composition as a way of accessing presence—where movement arises from sensation rather than pre-structure. Particular attention is given to the articulation of arms and hands as carriers of expression, extending the body’s capacity to communicate subtle inner states. The practice invites a sensual engagement with movement, not as performance alone, but as a lived experience of joy, intensity, and attunement—where the body becomes both source and receiver of affect. Sensual Animals / Spiritual Flesh This workshop explores the body as instinctual, porous, and sensorial—moving between animality and expanded states of awareness. Through guided improvisation, participants access layers of embodied knowledge that exist beneath language, engaging touch, breath, and proximity as compositional tools. The “spiritual flesh” is approached not as abstraction, but as a heightened sensitivity within matter itself—where sensation becomes a gateway to transformation. The practice unfolds as a field of relational intensities, where bodies shift between autonomy and entanglement, opening toward new forms of intimacy and perception.

Talking with Stones A somatic and imaginative practice that approaches the body in dialogue with mineral worlds. This workshop invites participants to slow down perception and enter a state of deep listening—where stones are not inert objects, but carriers of time, pressure, and memory. Through stillness, touch, and subtle movement, the body begins to resonate with the density and temporality of geological matter. Movement emerges from this encounter as a translation of weight, silence, and duration—opening a space where human and non-human presences meet, and where choreography becomes an act of attunement to the more-than-human.

For me Land and Body are inseparable -

my work is shifting our consciousness towards this entanglement through touch, presence and radical sensuality.